[This dramatic reading shows the screenwriters' faithful but creative adaptation of the original.]
To watch video, try this link:
http://www2.chinadaily.com.cn/language_tips/auvideo/2008-03/14/content_6537967.htm
I shouldn't diminish Percy's effort, though his happy ending in The Moviegoer seems an aim at Hollywood comedy a la The Graduate rather than Christian optimism. Here's a few more lines from the novel:
Today is my thirtieth birthday and I sit on the ocean wave in the schoolyard and wait for Kate and think of nothing. Now in the thirty-first year of my dark pilgrimage on this earth and knowing less than I ever knew before, having learned only to recognize merde when I see it, having inherited no more from my father than a good nose for merde, for every species of shit that flies - my only talent - smelling merde from every quarter, living in fact in the very century of merde, the great shithouse of scientific humanism where needs are satisfied, everyone becomes an anyone, a warm and creative person, and prospers like a dung beetle, and one hundred percent of people are humanists and ninety-eight percent believe in God, and men are dead, dead, dead; and the malaise has settled like a fall-out and what people really fear is not that the bomb will fall but that the bomb will not fall - on this my thirtieth birthday, I know nothing and there is nothing to do but fall prey to desire.
The search is what anyone would undertake if he were not sunk in the everydayness of his own life.
To become aware of the possibility of the search is to be onto something. Not to be onto something is to be in despair. The movies are onto the search, but they screw it up. The search always ends in despair. They like to show a fellow coming to himself in a strange place-but what does he do? He takes up with the local librarian, sets about proving to the local children what a nice fellow he is, and settles down with a vengeance. In two weeks time he is so sunk in everydayness that he might just as well be dead.
And the novel's epigraph taken from Kierkegaard:
. . . the specific character of despair is precisely this: it is unaware of being despair.
